Hi, my name is Carlos Aleman. Although I studied art history and took studio art classes in college, I’m mostly a self-taught painter. I was born in New York City and raised in South Florida. I spent my 20’s as a struggling artist until the digital age arrived. I decided to acquire some computer skills, and with those, I was able to spend my thirties and forties as a product designer for a technology company. Upon turning 50, I reached an early semi-retirement and returned to my first love, painting.
Inspired by my travels to Asia and many other artists that I deeply admire, I set out to express the wonder and fascination I have felt every time I have discovered something new. After several series of paintings devoted to Chinese and Japanese culture, I eventually settled on my love for people and portraiture.
I use square stencils to express the ‘pixels’ of the digital age and the merging of humanity with technology. Street artists have long used stencils to reproduce their work and make a fast getaway; after all, graffiti is illegal in most places. What I find most aesthetically pleasing are all the imperfections. Like Japanese woodblock prints that sometimes have spots and stains, I find there to be a remarkable beauty to the drips and marks left behind by stencils. In my jealousy of all the messiness, I’ve incorporated this use of stencils to add an element of unpredictability. The globs, the drips, the textures combined with the rendering of a subject.
Reflecting further on the digital age, neon paint seemed to me a good way of conveying this electric stream of knowledge. On the one hand, neon is powerful and beautiful, and on the other hand, it represents materialism and one might even say, kitsch. This is also the beauty of life, existence and people.
You can contact me at email@example.com
|Like my Facebook page
|Follow me on Instagram
|Follow me on Twitter
|Subscribe to my YouTube Channel